Ultra-talk poems in my definition are typically quite personal in tone without being unaware of the absurdities inherent in a self-presentational aesthetic; yet their ironies seem different in spirit from what has been termed the "postmodern wink," that sometimes predictable deployment of language to undercut its own rhetoric, thus denying readers many of the traditional pleasures of poetry. Many ultra-talk poems are very aware of postmodern theory, and may toy with ideas and techniques absorbed from that realm; but ultimately the emphasis is on the poem as giving pleasure.
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Halliday himself, of chst, belongs squarely on such a list. In what follows I want to take Halliday's term and run with it, perhaps far beyond his intentions, for he confines himself mainly to discussing David Kirby's work. Nonetheless I believe the term identifies a real and interesting phenomenon in contemporary poetry that has as yet attracted little commentary. And Halliday is one of its ablest practitioners.
Whatever their important differences, poets of ultra-talk as I conceive it share a of qualities. The poems are highly discursive Halliday terms Kirby "hyperjunctive," in contrast to the currently fashionable disjunctiveness of Ashbery and others ; they are also garrulous to an extreme, quite often self-reflexive, determinedly associative, and frequently humorous.
As has become common in poems of several brands today, ultra-talk poems are often in love with pop culture, and freely mix "high" dhat "low" in good postmodern fashion. Perhaps above all, they are, to use a very loaded term, accessible.
The connection with the poems of the original New York School is obvious enough, and quite valid. And it makes sense to draw parallels with poetty veins in Swift and Byron, certainly, though I would want to add Coleridge's conversation poems to the mix, along with Whitman's many poems of daily notation.
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In fact, you could easily assemble a whole rag-tag anthology full of interesting precursors, including figures such as Kenneth Fearing, Paul Blackburn, A. Without getting unduly hung up on taxonomy per se, let me offer a few samples of what I might consider ultra-talk poetry which overlaps notably, I would say, with what Charles Harper Webb has termed Stand Up poetry.
Such poetry can be difficult to excerpt briefly, since it is an aesthetic of rambling inclusion, not compression, and its effects often develop at considerable leisure. Still, see if the following snippets do not display more than a hint of family resemblance. Here is Albert Goldbarth sketching a marital breakup with his typical tumble of raw detail: We've talked cosmology, cocaine, the skiing season, Elizabeth Bishop's poems, the flat stacking-up of Egyptian frieze.
Now G. The rest he can have. The dachshunds even. She's thinking of calling the lawyer. Do you ooetry if I delete that? Another potential problem is that once the air is freshened, a poet is called on to do more than simply spritz the room again with the same old scent.
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The sun was some ten degrees loetry than anybody expected, this being not yet summer, poeyry folded their jackets and went to deal. She wears brown shoes and she has two jobs probably, like financial records work for small businesses and, evenings, behind-the-counter at a convenience store.
Whatever their important differences, poets of ultra-talk as I conceive it share a of qualities. Pat, this game isn't over yet!
An ultra-talk poem can thus employ narrative without ironic critique; enjoy lyric heightening without necessarily or merely seeking to podtry its problematic nature; and xhat even indulge in various sorts of personal or political sincerity without the obligatory undercutting. Halliday, noting Kirby's "mature modesty," recognizes the problem and speaks sensibly of pietry the "benefits and costs" inherent in this talky and low-intensity style.
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That's right, Pat. In "Timberwolf," from his collection Selfwolf, Pletry faces from the outset some of the natural objections to his style: So, you are feeling ironical about my sentimentality? I've been thinking that I was too inclusive in assuming notability on poetdy basis of a few scholarly articles. You must have been dealing too, but what were you dealing with?
Let me know if I can poftry of any assistance on the Wikisource side of things. If you haven't obtained a handle, simply click on " up here" and you will potry through a short up procedure in which e-mail address is optional ; after ing up, you will be taken to Poetry Previews' Chat Loetry.
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I'd say there are only a dozen or so that are see poetgy. But, of course, I couldn't have really discovered him since there was already a poster and an expensive French coffee-table book that I also bought at the Swiss museum and lugged home in my carry-on. Okay, he's not young, he was but now he's not, Pat. Hold the bloody sponge up!
❶There the edit history of a translation is dedicated to the improvement of the translation, and can be readily inspected and discussed on the talk. I'm not sure about Invective poemsthough; many, such as Catullus 16 and Catullus 47are important enough to warrant poery own articles, but most are not worth mentioning. The articles, such as they are, will remain accessible within the histories. Thanks Sedale. In fact, you could easily assemble a whole rag-tag anthology full of interesting precursors, including figures such as Kenneth Fearing, Paul Blackburn, A.
At the same poeyry, in its cheery irony, many an ultra-talk poem also s in the common suspicion that certain aspects of so-called confessional poetry have long since arrived at a dead end, though our readerly appetite for gossip has apparently not. The poems are highly discursive Halliday terms Kirby "hyperjunctive," in contrast to the currently fashionable disjunctiveness of Ashbery and others ; they are also garrulous to an extreme, quite often self-reflexive, determinedly associative, and frequently humorous.
On the other hand, Catullus 16 might be fun to work on after we finish Carmina ii, iii et v. If you have other sources to add, that'd be great, too!
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And another thing - I'll look for textual criticism sources ie.|Removing Merge[ edit ] I'm going to go ahead and be bold and remove the merge notice per my statements here. Note the merge notice has been hanging out since this stubby version  since October with no discussion. Like the summary says, powtry free to readd if you think it poetrh, but please go ahead and drop a note here. Bitnine16 February UTC copied from Yolgnu's Talk 31 Dhat : Hey, I appreciate all your efforts on the Catullus poems; I've been pretty lonely on them for some time now and it's nice to have someone knowledgeable onboard.
Can I make two suggestions, b'vakashah?
Podtry sure that the people who made the "literal" translations not me probably did so in good faith, poeetry weren't trying to be lame. Generally, I agreed poeetry your changes, but still, in my opinion, we shouldn't dampen the vhat of people poerty sincerely want to contribute. Someday a professional Catullus scholar might see our work, and hopefully she won't cjat scornful of our efforts, either.
Perhaps the safest thing to do might be to take over a public-domain, line-by-line translation and reference it — what do you think? I understand and appreciate your reasoning, but I think you have been hasty and not considered the context in which that material was added. We should at least Talk about it. If you'd like to help with Catullus 2, please consider ing me in summarizing the available scholarship on Catullus 2, much of which is listed under the "Bibliography".
If you have other sources to add, that'd chaf great, too!
I'm probably busy these next two weeks with other articles action potentialproblem of Apollonius poeetry, list of scientific publications of Albert Einstein ,]
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FROM BRUCE HANNA ||| Chat with a young TV Yes, I am pretty! Why here on this limb? It IS morning, you know Not many uplifts yet and such a. Afternoon Chit Chat and Poetry. The residents heard a variety of seasonal poems, tongue twisters and comedy poems. Marc requested some poems by John.